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STUDENT WORKS 2020

U14_M1_Fernandes%2CDR_2020_P07_01(L)_edi
CLOSETS OF APPROBATION
Dylan Fernandes
U14_M1_Ramnath%2CNR_2020_P03_7(L)_edited
CHEMISTRY OF LEISURE
Neetesh Ramnath
exploded%2520soane%2520room%2520rev%2520
TOTEMS.GIF
Gio Rech
U14_M1_Shaw%2C%20S_2020_P05_9(H)_edited.
RITUALS OF [EX]CHANGE
Suné Shaw
U14_M1_Winterton%2CJF_2020_P06_17(L)_edi
FESTIVAL
TACTICS
Jodie Winterton
U14_M2_Chanje%2C%20JS_2020_P02_06(L)_edi
SHADOW
FACTORY
Jackson Chanje
Paradisical%20Garden_Jana%20Cloete_edite
PARADISE RECONFIGURED
Jana Cloete
U14_M2_Gabru_edited.jpg
HOLDING
BATHS
Azraa Gabru
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THE DREAMERS'
INSTITUTE
Sarah Harding
U14_M2_Maritz%2CJ_2020_P04_8(L)_edited.j
CONTESTED
CLUBHOUSE
Jaco Maritz

COLLARORATIVE WORKSHOP

WRITING SITE

How do we engage with a site, its forces and the definition thereof without access to it? How do we see it? How do we invent it? Through the collaboration with a writer and hacker, we aim to write our site into being using the virtual portal of our computers. We will through writing articulate the attributes and relational dynamics of a site and attempt to find and define it through a virtual gaze. The objective of the works is to define a Site – more specifically a Situation (set of circumstances defined upon a particular territory) that will serve the research interests.


Through the use of the written word and the varying dynamics of the architectural site, this interdisciplinary, collaborative engagement seeks to interrogate and experiment with the notion of the ‘site’ as a location (physical, digital, spiritual, or otherwise) that can be better understood, challenged, and defined through language (written, visual, or otherwise). Freewriting, play, digitality, hacking, public text, open-access ideologies, and virtual gatherings are some of the primary points of departure for this engagement.

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